CD classical Beethoven Brahms EMI Laser DRM ammonite sleeve CDZ 7 62854 2

AFW - Antique France Worldwide

Description

This classical music CD features a cover adorned with a golden ammonite motif on a black background, offering a detailed and sophisticated visual. The front clearly indicates the works performed: Beethoven's Triple Concerto and Brahms' Double Concerto. The soloists mentioned include Oborin, D. Oistrakh, Knushevitzky, Sargent, Fournier, and Galliera, indicating a benchmark interpretation in the classical repertoire.

The case is a standard, transparent crystal jewel case, typical of classic CD releases from the 1990s. The central visual catches the eye with its spirals and golden reflections, enhancing the elegant appearance of the product. The "EMI LASER DRM" logo is present at the bottom right, guaranteeing an EMI edition known for the quality of its recordings. A precise reference "CDZ 7 62854 2" is also printed on the front.

The mention "69:51" indicates the total program duration, a common format for this type of repertoire. The typography, in blue on a white background, as well as the very readable layout of the information, evoke a neat and professional edition, consistent with EMI's standards in this range.

The visible side edge is ribbed, consistent with classic jewel cases. No major defects are visible on the front, apart from a slight mark or stain on the upper left part of the visual. The printing of texts and graphics remains clear and without smudges.

The CD is not visible in the photo; only the front cover is. No other elements (booklet, back, disc) appear in the image.

Condition

Used item sold as is. The front cover has a small visible mark on the top left; the overall condition remains good according to the shown side.

Did you know? Beethoven and Brahms are two pillars of the German Romantic repertoire. Beethoven's Triple Concerto, composed in 1803, is unique in orchestral literature for its three-soloist concertante writing. Brahms' Double Concerto, written in 1887, was his last major orchestral work, dedicated to his cellist friend Joseph Joachim.

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