CD Glenn Gould J.S. Bach Piano Concertos Columbia Symphony Sony
AFW - Antique France Worldwide
Description
Audio CD presented in a standard jewel case, featuring a photograph of Glenn Gould on a dark background on the cover, in an expressive pose, hand resting on his face. The main inscription highlights the composer "J.S. Bach" in golden letters, followed by the title "Piano Concertos No. 4, 5 and 7". Glenn Gould's name appears at the top right, accompanied by the Sony Classical logo clearly visible in the upper right corner of the cover.
At the bottom of the front cover, the mention "Columbia Symphony Orchestra" and the direction of Vladimir Golschmann confirm the orchestra's involvement in the recording. The graphic presentation is sober and elegant, typical of Sony Classical's classical editions, with a predominant black color that emphasizes the seriousness of the production.
The jewel case visible in the photo is made of transparent plastic, with no visible decoration other than the inserted cover. No information is visible on the spine, back, or inside, as only one side is shown. No major defects appear, although some marks or reflections are visible on the plastic surface of the case.
This CD brings together Johann Sebastian Bach's piano concertos, performed by Glenn Gould, a world-renowned pianist whose unique and analytical style profoundly influenced the interpretation of Baroque works. The collaboration with the Columbia Symphony Orchestra and the direction of Vladimir Golschmann ensures a high-quality interpretation.
The cover, in very good visual condition on the side shown, features a color photograph of Glenn Gould, a distinctive element for classical record enthusiasts and fans of this particular pianist.
Condition
Used CD sold as is. Some signs of use or reflections visible on the plastic case, with no apparent impact on the readability of the front cover.
Did you know? Glenn Gould was one of the first great pianists to favor studio recording over public concerts. His innovative approach to Bach's works, particularly through the use of a very personal tempo and articulation, renewed the listening of Baroque repertoire in the 20th century.
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